Here, from the incomparable John Waters, is a paean to the power of subversive inspiration that will delight, amuse, enrich—and happily horrify readers everywhere.
Role Models is, in fact, a self-portrait told through intimate profiles of favorite personalities—some famous, some unknown, some criminal, some surprisingly middle-of-the-road. From Esther Martin, owner of the scariest bar in Baltimore, to the playwright Tennessee Williams; from the atheist leader Madalyn Murray O’Hair to the insane martyr Saint Catherine of Siena; from the English novelist Denton Welch to the timelessly appealing singer Johnny Mathis—these are the extreme figures who helped the author form his own brand of neurotic happiness.
Role Models is a personal invitation into one of the most unique, perverse, and hilarious artistic minds of our time.A Darker Domain
Past and present intertwine in this brilliant exploration of loyalty and greed from bestselling mistress of suspense Val McDermid.
Fife, Scotland, 1984. Mick Prentice abandons his family at the height of a politically charged national miners' strike to join the strikebreakers down south. Despised and disowned by friends and relatives, he is not reported missing until twenty-three years later.
Fife, Scotland, 1985. Kidnapped heiress Catriona Maclennan Grant is killed and her baby son vanishes when the ransom payoff goes horribly wrong. In 2008, a tourist in Tuscany stumbles upon dramatic new evidence that reopens the investigation.
Already immersed in the Prentice affair, Detective Karen Pirie, newly appointed head of the Cold Case Review Team, wants to make her mark with this second unsolved 1980s mystery. But two decades' worth of secrets are leading Pirie into a dark domain of violence and betrayal—a place darker than any she has previously entered.
In I Was Born This Way, Carl Bean, former Motown recording artist, noted AIDS activist, and founder of the Unity Fellowship of Christ Church in Los Angeles, shares his extraordinary personal journey from Baltimore foster homes to the stage of the Apollo Theater and beyond.
CARL BEAN has been crossing boundaries all his life and helping others do the same. He’s never been stopped by his race or orientation, never fit or stayed in the boxes people have wanted to put him in. He left his foster home in Baltimore at seventeen and took the bus to New York City, where he quickly found the rich culture of the Harlem churches. As a singer, first with the gospel Alex Bradford Singers and later as a Motown recording artist, Bean was a sensation. When Berry Gordy signed him to record "I Was Born This Way," it was a first: the biggest black-owned record company broadcasting a statement on gender identity. The #1 song, recorded with the Sweet Inspirations, was the first gay liberation dance club hit.
Whether making records, educating the black community about HIV and AIDS, or preaching to his growing congregation, Archbishop Bean has never wanted to minister to just one group. He’s worked on AIDS issues with C. Everett Koop and Elizabeth Taylor and on civil rights issues with Maxine Waters, Julian Bond, and Reverend Joseph Lowery. At the height of his recording career, he worked with Dionne Warwick, Burt Bacharach, Miles Davis, and Sammy Davis Jr. He’s brought South Central Los Angeles gang members into his church, which now has 25,000 members in twelve cities nationwide; those same Crips and Bloods have shown up at the Gay Pride parades Bean has organized with U.S. Congresswoman Maxine Waters. And he has courageously devoted his time and energy to spurring black civil rights leaders to address the AIDS health crisis within the African American community—an issue on which they had been silent.
Preaching an all-embracing progressive theology, he is an outspoken practitioner of brotherly love, a dynamic preacher, and a social activist. The Unity Fellowship message is grace: "God is love, and God is for everyone"; "God is gay, God is straight, God is black, God is white." I Was Born This Way is the rare personal history of one of black gospel’s biggest stars and a frank, powerful, and warmhearted testament to how one man found his calling.Visible Lives
In a powerful tribute to bestselling author and literary icon E. Lynn Harris, bestselling authors and friends Terrance Dean, James Earl Hardy, and Stanley Bennett Clay honor him with sexy, original novellas in the genre he helped create--groundbreaking stories of black, gay men searching for love in a taboo world.
What do you do when you discover your spouse has an insignificant other?
How about when you realize your own insignificant other is becoming more significant than your spouse?
There are no easy answers to these questions, but Stephen McCauley—"the master of the modern comedy of manners" (USA Today)—makes exploring them a literary delight.
Richard Rossi works in HR at a touchy-feely software company and prides himself on his understanding of the foibles and fictions we all use to get through the day. Too bad he’s not as good at spotting such behavior in himself.
What else could explain his passionate affair with Benjamin, a very unavailable married man? Richard suggests birthday presents for Benjamin’s wife and vacation plans for his kids, meets him for "lunch" at a sublet apartment, and would never think about calling him after business hours.
"In the three years I’d known Benjamin, I’d come to think of him as my husband. He was, after all, a husband, and I saw it as my responsibility to protect his marriage from a barrage of outside threats and bad influences. It was the only way I could justify sleeping with him."
Since Richard is not entirely available himself—there’s Conrad, his adorable if maddening partner to contend with—it all seems perfect. But when cosmopolitan Conrad starts spending a suspicious amount of time in Ohio, and economic uncertainty challenges Richard’s chances for promotion, he realizes his priorities might be a little skewed.
With a cast of sharply drawn friends, frenemies, colleagues, and personal trainers, Insignificant Others is classic McCauley—a hilarious and ultimately haunting social satire about life in the United States at the bitter end of the boom years, when clinging to significant people and pursuits has never been more important—if only one could figure out what they are.Mean Little Deaf Queer
In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed “child freak,” she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality. With disarming candor, she writes about her mental breakdowns, her queer identity, and living in a silent, quirky world populated by unforgettable characters. What could have been a bitter litany of complaint is instead an unexpectedly hilarious and affecting take on life.