Mother to eight children, Rosa mourns the loss of four who succumbed to the mysterious wasting disease that is now afflicting young Ana and Miguel. Two daughters born of another father are in perfect health. When an act of violence shatters Rosa's resolve to maintain her increasingly dangerous existence, she flees with the children and her precious heirloom quilts to the mesa where she last saw her beloved mother alive.
As a flash flood traps them in a treacherous canyon, only one man is brave-or foolhardy-enough to come to their rescue: Lars Jorgenson, Rosa's first love and the father of her healthy daughters. Together they escape to Berkeley, where a leading specialist offers their only hope of saving Ana and Miguel. Here in northern California, they create new identities to protect themselves from Rosa's vengeful husband, the police who seek her for questioning, and the gangsters Lars reported to Prohibition agents-officers representing a department often as corrupt as the Mob itself. Ever mindful that his youthful alcoholism provoked Rosa to spurn him, Lars nevertheless supports Rosa's daring plan to stake their futures on a struggling Sonoma Valley vineyard-despite the recent hardships of local winemakers whose honest labors at viticulture have, through no fault of their own, become illegal.
And so began my grandfather’s rapturous love affair with America—an affair that would continue until the day he died.
This is the story of the Meisenheimer family, told by James, a third-generation American living in Beatrice, Missouri. It’s where his German grandparents—Frederick and Jette—found themselves after journeying across the turbulent Atlantic, fording the flood-swollen Mississippi, and being brought to a sudden halt by the broken water of the pregnant Jette. A Good American tells of Jette’s dogged determination to feed a town sauerkraut and soul food; the loves and losses of her children, Joseph and Rosa; and the precocious voices of James and his brothers, sometimes raised in discord…sometimes in perfect harmony. But above all, A Good American is about the music in Frederick’s heart, a song that began as an aria, was jazzed by ragtime, and became an anthem of love for his adopted country that the family still hears to this day.
Leonid McGill has reasons to believe she’s innocent. But reopening the case is only serving to unsettle McGill’s private life even further—and expose a family secret that’s like a kick to the gut.
As the case unfolds, as the truth of what happened eight years ago becomes more damning and more complex than anyone dreamed, McGill and Zella realize that everyone is guilty of something, and that sometimes the sins of the past can be too damaging to ever forget. Or ever forgive.
Moving from a poor fisherman's family whose sons find the courage to take up arms against their oppressors, to a beautiful bride who becomes a prize of war, to an ambitious warrior whose allegiance is torn--Temple of a Thousand Faces is an unforgettable saga of love, betrayal, and survival at any cost.