Since he married Merrill Darling, daughter of billionaire financier
Carter Darling, attorney Paul Ross has grown accustomed to all the
luxuries of Park Avenue. But a tragic event is about to catapult the
Darling family into the middle of a massive financial investigation and a
red-hot scandal. Suddenly, Paul must decide where his loyalties really
lie.
Debut novelist Cristina Alger is a former analyst at Goldman Sachs, an attorney, and the daughter of a Wall Street financier. Drawing on her unique insider's perspective, Alger gives us an irresistible glimpse into the highest echelons of New York society—and a fast-paced thriller of epic proportions that powerfully echoes Claire Messud's The Emperor's Children and reads like a fictional Too Big to Fail.
Unveiling two of America's most illusory realms—high fashion and Homeland Security—Alex Gilvarry's widely acclaimed first novel is the story of designer Boy Hernandez: Filipino immigrant, New York glamour junkie, Guantánamo detainee. Locked away indefinitely and accused of being linked to a terrorist plot, Boy prepares for the tribunal of his life with this intimate confession, a dazzling swirl of soirees, runways, and hipster romance that charts one small man's pursuit of the big American dream—even as the present nightmare of detainment chisels away at his vital wit and chutzpah. From the Memoirs of a Non-Enemy Combatant is funny, wise, and beguiling, a Kafkaesque tale for our strange times.
Brought together by war, separated by duty, a love story for the ages
Margaret Kennedy lives on a dairy farm in rural Maine. Her husband Thomas—injured in a war overseas—will never be the man he was. When the President signs a bill in support of wounded veterans, Margaret is invited to the nation’s capital. Charlie King, a handsome Foreign Service officer, volunteers to escort her. As the rhododendron blossoms along the Blue Ridge Highway, the unlikely pair fall in love—but Margaret cannot ignore the tug of her marriage vows.
Joseph Monninger’s Margaret from Maine is a page-turning romance that poignantly explores the dilemmas faced by those who serve our country—and the men and women who love them
One of them is a bestselling Pulitzer Prize-winning humorist. The other is a winner of the Thurber Prize for American Humor. Together, they form the League of Comic Justice, battling evildoers in the name of . . . Okay, we made that line up. What they do form is a writing team of pure comic genius, and they will have you laughing like idiots.
Philip Horkman is a happy man-the owner of a pet store called The Wine Shop, and on Sundays a referee for kids' soccer. Jeffrey Peckerman is the sole sane person in a world filled with goddamned jerks and morons, and he's having a really bad day. The two of them are about to collide in a swiftly escalating series of events that will send them running for their lives, pursued by the police, soldiers, terrorists, subversives, bears, and a man dressed as Chuck E. Cheese.
Where that all takes them you can't begin to guess, but the literary journey there is a masterpiece of inspiration and mayhem. But what else would you expect from the League of Comic Justice?
Inspector Thomas Lynley is mystified when he's sent undercover to investigate the death of Ian Cresswell at the request of the man's uncle, the wealthy and influential Bernard Fairclough. The death has been ruled an accidental drowning, and nothing on the surface indicates otherwise. But when Lynley enlists the help of his friends Simon and Deborah St. James, the trio's digging soon reveals that the Fairclough clan is awash in secrets, lies, and motives.
Deborah's investigation of the prime suspect-Bernard's prodigal son Nicholas, a recovering drug addict-leads her to Nicholas's wife, a woman with whom she feels a kinship, a woman as fiercely protective as she is beautiful. Lynley and Simon delve for information from the rest of the family, including the victim's bitter ex-wife and the man he left her for, and Bernard himself. As the investigation escalates, the Fairclough family's veneer cracks, with deception and self-delusion threatening to destroy everyone from the Fairclough patriarch to Tim, the troubled son Ian left behind.
Debut novelist Cristina Alger is a former analyst at Goldman Sachs, an attorney, and the daughter of a Wall Street financier. Drawing on her unique insider's perspective, Alger gives us an irresistible glimpse into the highest echelons of New York society—and a fast-paced thriller of epic proportions that powerfully echoes Claire Messud's The Emperor's Children and reads like a fictional Too Big to Fail.
Unveiling two of America's most illusory realms—high fashion and Homeland Security—Alex Gilvarry's widely acclaimed first novel is the story of designer Boy Hernandez: Filipino immigrant, New York glamour junkie, Guantánamo detainee. Locked away indefinitely and accused of being linked to a terrorist plot, Boy prepares for the tribunal of his life with this intimate confession, a dazzling swirl of soirees, runways, and hipster romance that charts one small man's pursuit of the big American dream—even as the present nightmare of detainment chisels away at his vital wit and chutzpah. From the Memoirs of a Non-Enemy Combatant is funny, wise, and beguiling, a Kafkaesque tale for our strange times.
Brought together by war, separated by duty, a love story for the ages
Margaret Kennedy lives on a dairy farm in rural Maine. Her husband Thomas—injured in a war overseas—will never be the man he was. When the President signs a bill in support of wounded veterans, Margaret is invited to the nation’s capital. Charlie King, a handsome Foreign Service officer, volunteers to escort her. As the rhododendron blossoms along the Blue Ridge Highway, the unlikely pair fall in love—but Margaret cannot ignore the tug of her marriage vows.
Joseph Monninger’s Margaret from Maine is a page-turning romance that poignantly explores the dilemmas faced by those who serve our country—and the men and women who love them
One of them is a bestselling Pulitzer Prize-winning humorist. The other is a winner of the Thurber Prize for American Humor. Together, they form the League of Comic Justice, battling evildoers in the name of . . . Okay, we made that line up. What they do form is a writing team of pure comic genius, and they will have you laughing like idiots.
Philip Horkman is a happy man-the owner of a pet store called The Wine Shop, and on Sundays a referee for kids' soccer. Jeffrey Peckerman is the sole sane person in a world filled with goddamned jerks and morons, and he's having a really bad day. The two of them are about to collide in a swiftly escalating series of events that will send them running for their lives, pursued by the police, soldiers, terrorists, subversives, bears, and a man dressed as Chuck E. Cheese.
Where that all takes them you can't begin to guess, but the literary journey there is a masterpiece of inspiration and mayhem. But what else would you expect from the League of Comic Justice?
Inspector Thomas Lynley is mystified when he's sent undercover to investigate the death of Ian Cresswell at the request of the man's uncle, the wealthy and influential Bernard Fairclough. The death has been ruled an accidental drowning, and nothing on the surface indicates otherwise. But when Lynley enlists the help of his friends Simon and Deborah St. James, the trio's digging soon reveals that the Fairclough clan is awash in secrets, lies, and motives.
Deborah's investigation of the prime suspect-Bernard's prodigal son Nicholas, a recovering drug addict-leads her to Nicholas's wife, a woman with whom she feels a kinship, a woman as fiercely protective as she is beautiful. Lynley and Simon delve for information from the rest of the family, including the victim's bitter ex-wife and the man he left her for, and Bernard himself. As the investigation escalates, the Fairclough family's veneer cracks, with deception and self-delusion threatening to destroy everyone from the Fairclough patriarch to Tim, the troubled son Ian left behind.
The minute I saw the letter, I knew it
was hers. There was no mistaking it: the salutation, the tiny, precise
handwriting, the date, the content itself, all confirmed its ancient
status and authorship…
Samantha McDonough cannot believe her eyes--or her luck. Tucked in an uncut page of a two-hundred-year old poetry book is a letter she believes was written by Jane Austen, mentioning with regret a manuscript that "went missing at Greenbriar in Devonshire." Could there really be an undiscovered Jane Austen novel waiting to be found? Could anyone resist the temptation to go looking for it?
Making her way to the beautiful, centuries-old Greenbriar estate, Samantha finds it no easy task to sell its owner, the handsome yet uncompromising Anthony Whitaker, on her wild idea of searching for a lost Austen work--until she mentions its possible million dollar value.
After discovering the unattributed manuscript, Samantha and Anthony are immediately absorbed in the story of Rebecca Stanhope, daughter of a small town rector, who is about to encounter some bittersweet truths about life and love. As they continue to read the newly discovered tale from the past, a new one unfolds in the present--a story that just might change both of their lives forever.
Paris, 1927. One day in July, a young American named Rafaela Fano gets into the car of a coolly dazzling stranger, the Art Deco painter Tamara de Lempicka. Struggling to support herself, Rafaela agrees to model for the artist, a dispossessed Saint Petersburg aristocrat with a murky past. The two become lovers, and Rafaela inspires Tamara’s most iconic Jazz Age images, among them her most accomplished—and coveted—works of art. A season as the painter’s muse teaches Rafaela some hard lessons: Tamara is a cocktail of raw hunger and glittering artifice. And all the while, their romantic idyll is threatened by history’s darkening tide. A tour de force of historical imagination, The Last Nude is about genius and craft, love and desire, regret and, most of all, hope that can transcend time and circumstance.
Samantha McDonough cannot believe her eyes--or her luck. Tucked in an uncut page of a two-hundred-year old poetry book is a letter she believes was written by Jane Austen, mentioning with regret a manuscript that "went missing at Greenbriar in Devonshire." Could there really be an undiscovered Jane Austen novel waiting to be found? Could anyone resist the temptation to go looking for it?
Making her way to the beautiful, centuries-old Greenbriar estate, Samantha finds it no easy task to sell its owner, the handsome yet uncompromising Anthony Whitaker, on her wild idea of searching for a lost Austen work--until she mentions its possible million dollar value.
After discovering the unattributed manuscript, Samantha and Anthony are immediately absorbed in the story of Rebecca Stanhope, daughter of a small town rector, who is about to encounter some bittersweet truths about life and love. As they continue to read the newly discovered tale from the past, a new one unfolds in the present--a story that just might change both of their lives forever.
Paris, 1927. One day in July, a young American named Rafaela Fano gets into the car of a coolly dazzling stranger, the Art Deco painter Tamara de Lempicka. Struggling to support herself, Rafaela agrees to model for the artist, a dispossessed Saint Petersburg aristocrat with a murky past. The two become lovers, and Rafaela inspires Tamara’s most iconic Jazz Age images, among them her most accomplished—and coveted—works of art. A season as the painter’s muse teaches Rafaela some hard lessons: Tamara is a cocktail of raw hunger and glittering artifice. And all the while, their romantic idyll is threatened by history’s darkening tide. A tour de force of historical imagination, The Last Nude is about genius and craft, love and desire, regret and, most of all, hope that can transcend time and circumstance.
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