Saturday, January 26, 2013

Liz and Michele Are Recommending...

Can We Ever Escape Our Secrets?

Kate Moore is a working mother, struggling to make ends meet, to raise children, to keep a spark in her marriage . . . and to maintain an increasingly unbearable life-defining secret. So when her husband is offered a lucrative job in Luxembourg, she jumps at the chance to leave behind her double-life, to start anew.
She begins to reinvent herself as an expat, finding her way in a language she doesn’t speak, doing the housewifely things she’s never before done—playdates and coffee mornings, daily cooking and never-ending laundry. Meanwhile, her husband works incessantly, at a job Kate has never understood, for a banking client she’s not allowed to know. He’s becoming distant and evasive; she’s getting lonely and bored.
Then another American couple arrives. Kate soon becomes suspicious that these people are not who they say they are, and she’s terrified that her own past is catching up to her. So Kate begins to dig, to peel back the layers of deception that surround her. She discovers fake offices and shell corporations and a hidden gun, a mysterious farmhouse and numbered accounts with bewildering sums of money, and finally unravels the mind-boggling long-play con that threatens her family, her marriage, and her life.
Stylish and sophisticated, fiercely intelligent and expertly crafted, The Expats proves Chris Pavone to be a writer of tremendous talent.

The year is 1984 and the city is Tokyo.

A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.

As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.

A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s—1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

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