Craig Popelars of Algonquin Books shares a lovely "pairing" piece by author Manuel Munoz.
The recent release of Hitchcock, starring Anthony Hopkins and Helen Mirren, might inspire readers to delve into the Master's film trove, and maybe even hunt for the books that brought us those movies. But citing the source material for Psycho or Rebecca wouldn't be much fun. Better yet to encourage readers to think of the ways in which "Hitchcockian" can describe so many of our greatest books.
Hitchcock Pairings by Manuel Munoz
The recent release of Hitchcock, starring Anthony Hopkins and Helen Mirren, might inspire readers to delve into the Master's film trove, and maybe even hunt for the books that brought us those movies. But citing the source material for Psycho or Rebecca wouldn't be much fun. Better yet to encourage readers to think of the ways in which "Hitchcockian" can describe so many of our greatest books.
Like
Suspicion? Try Peter Cameron's Coral Glynn
As
in Rebecca, Hitchcock presented a new
bride with a marriage haunted with dread and tension. In Cameron's adept, sleek novel, the spirit
of the English mystery is invoked in grand style, full of strange turns,
surprising revelations, and taut encounters. One of 2012's best books.
Like
Marnie? Try Elfriede Jelinek's ThePiano Teacher
True,
the marvelous director Michael Haneke presented a superb adaptation in
2002.But if the psychological daring of
Hitchcock's last great picture is of any intrigue, Jelinek's terse, brutal
prose demonstrates how the written word might be better at showing us the
withering power of ferocious desire.
Like
The Wrong Man? Try Colson Whitehead's The Intuitionist
Thematically,
any number of films could highlight Hitchcock's obsession with a man trying to
clear his name. Whitehead's terrific
first novel shares a piercing noir style, a big city atmosphere, and more
important a marvelous player at center stage. If you haven't yet encountered Lila Mae
Watson, the city's only African-American elevator inspector, now's the time.
Like
Rope? Try Muriel Spark's The Driver's Seat
Macabre,
disarming humor is at the center of both of these works. In Spark's slender 1970 novel, Lise runs off
to Italy
with a dark plan in mind, only to find it nearly impossible to pull off. A little masterpiece of tone and pacing,
Spark's novel shows us the outcome almost from the onset, leaving us with moral
questions about what we're willing to witness.
Like
Frenzy? Try Joyce Carol Oates's High Lonesome: New and SelectedStories
Maybe
it's crude to pair one of Hitchcock's lesser efforts with a book that should
hold a permanent place on any reader's shelf. But where Hitchcock is content to show us only the discovery of a body
floating in a river, Oates goes after the repercussions ("The Fish Factory") or
upends the whole notion of a "Hitchcock heroine" by exposing crippling
self-interest ("Life After School," "Concerning the Case of Bobby T."). And yes, her famous "Fat Man My Love" gives
us Hitchcock in all his robust, self-styled glory.
Manuel Muñoz's own Hitchcock
pairing, What You See in the Dark, was published Algonquin Books in 2011. Like the just released Sacha Gervasi film, it
goes well with Psycho.
No comments:
Post a Comment