Saturday, August 14, 2010

Farm and Garden Week Focus on Wendell Berry


The Art of the Commonplace

Essential essays are included in this volume from Wendell Berry's writings on agrarianism, agriculture, and community.



Bringing It To The Table

Long before organic produce was available at local supermarkets, Berry was farming with the purity of food in mind. Drawn from more than 30 years of work, this collection is essential reading for anyone who cares about what they eat.


The Gift of Good Land
The essays in The Gift of Good Land are as true today as when they were first published in 1981; the problems addressed here are still with us and the solutions no nearer to hand. One of the insistent themes of this book is the interdependence, the wholeness, the oneness of people, the land, weather, animals, and family. To touch one is to tamper with them all. We live in one functioning organism whose separate parts are artificially isolated by our culture. The twenty-four essays in this collection cover a variety of subjects, from the author's journeys to the Peruvian Andes, to the desert of southern Arizona, and to Amish country to study the evolution of ancient native agricultural practices. In "Solving for Pattern," Mr. Berry lists fourteen critical standards for solving agricultural problems that can just as easily be used as standards for solving personal and family problems. In the title essay, the author examines our Judeo-Christian heritage to discover parallels with the Buddhist doctrine of "right livelihood" or "right occupation." He develops the compelling argument that the "gift" of good land has strings attached. We have it only on loan and only for as long as we practice good stewardship.


The Mad Farmer Poems
During the otherwise quiet course of his life as a poet, Wendell Berry has become "mad" at what contemporary society has made of its land, its communities, and its past. This anger reaches its peak in the poems of the Mad Farmer, an open-ended sequence he's found himself impelled to continue against his better instincts. These poems can take the shape of manifestos, meditations, insults, Whitmanic fits and ravings--and are often funny in spite of themselves. The Mad Farmer is a character as necessary, perhaps, as he is regrettable. Here are gathered the individual poems from Berry's various collections to offer the teachings and bitcheries of this amazing American voice. After the great success of the lovely Window Poems, Bob Baris of the Press on Scroll Road returns to design and produce an edition illustrated with etchings by Abigail Rover. Ed McClanahan offers an introduction wherein he clears up the inspiration behind the Mad Farmer himself. McClanahan also manages to take more credit than he is clearly due. Then Berry weighs in with an apology--and characteristic exaggeration. James Baker Hall and William Kloefkorn offer poems here that also show how the Mad Farmer has escaped into the work of others. The whole is a wonderful testimony to the power of anger and humor to bring even the most terrible consequences into a focus otherwise impossible to obtain.

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