(Seven Stories Press) is a gorgeous,
one-of-a-kind trilogy that brings classic literatures of the world
together with legendary graphic artists and illustrators. There are more
than 130 illustrators represented and 190 literary works over three
volumes—many newly commissioned, some hard to find—reinterpreted here
for readers and collectors of all ages.
takes us on a visual tour from the earliest literature
through the end of the 1700s. Along the way, we're treated to
eye-popping renditions of the human race's greatest epics:
. Two of ancient Greece's greatest plays are adapted—the tragedy
by
Aristophanes (the text of which is still censored in many textbooks).
Also included is Robert Crumb’s rarely-seen adaptation of James
Boswell’s
, illustrated by Roberta Gregory. The Eastern canon gets its due, with
(the
world’s first novel, done in full-page illustrations reminiscent of
Aubrey Beardsley), three poems from China’s golden age of literature
lovingly drawn by pioneering underground comics artist Sharon Rudahl,
the
Some unexpected twists in this volume include a Native American
folktale, an Incan play, Sappho’s poetic fragments, bawdy essays by
Benjamin Franklin, the love letters of Abelard and Heloise, and the
decadent French classic
Volume 2 gives us
a visual cornucopia based on the wealth of literature from the 1800s.
Several artists—including Maxon Crumb and Gris Grimly—present their
versions of Edgar Allan Poe’s visions. The great American novel
Huckleberry Finn is
adapted uncensored for the first time, as Twain wrote it. The bad boys
of Romanticism—Shelley, Keats, and Byron—are visualized here, and so are
the Brontë sisters. We see both of Coleridge’s most famous poems:
“Kubla Khan” and “The Rime of the Ancient Mariner” (the latter by
British comics legend Hunt Emerson). Philosophy and science are ably
represented by ink versions of Nietzsche’s
Thus Spake Zarathustra and Darwin’s
On the Origin of Species.
Frankenstein,
Moby-Dick,
Les Misérables,
Great Expectations,
Middlemarch,
Anna Karenina,
Crime and Punishment (a hallucinatory take on the pivotal murder scene), Thoreau’s
Walden (in spare line art by John Porcellino of King-Cat Comics fame), “The Drunken Boat” by Rimbaud,
Leaves of Grass by
Whitman, and two of Emily Dickinson’s greatest poems are all present
and accounted for. John Coulthart has created ten magnificent full-page
collages that tell the story of
The Picture of Dorian Gray by Oscar Wilde. And
Pride and Prejudice has never looked this splendiferous
This volume is a special treat for Lewis Carroll fans. Dame Darcy
puts her unmistakable stamp on—what else?—the Alice books in a new
16-page tour-de-force, while a dozen other artists present their
versions of the most famous characters and moments from Wonderland.
There’s also a gorgeous silhouetted telling of “Jabberwocky,” and
Mahendra’s Singh’s surrealistic take on “The Hunting of the Snark.”
Curveballs in this volume include fairy tales illustrated by the
untameable S. Clay Wilson, a fiery speech from freed slave Frederick
Douglass (rendered in stark black and white by Seth Tobocman), a letter
on reincarnation from Flaubert, the Victorian erotic classic
Venus in Furs, the drug classic
The Hasheesh Eater, and silk-screened illustrations for the ghastly children’s classic
Der Struwwelpeter. Among many other canonical works.
Volume 3 brings to life the literature of the end of the 20th century
and the start of the 21st, including a Sherlock Holmes mystery, an H.G.
Wells story, an illustrated guide to the Beat writers, a one-act play
from Zora Neale Hurston, a disturbing meditation on
Naked Lunch, Rilke's soul-stirring
Letters to a Young Poet, Anaïs Nin's diaries, the visions of Black Elk, the heroin classic
The Man With the Golden Arm (published four years before William Burroughs'
Junky), and the postmodernism of Thomas Pynchon, David Foster Wallace, Kathy Acker, Raymond Carver, and Donald Barthelme.
The towering works of modernism are here--T.S. Eliot's "The Love Song
of J. Alfred Prufrock" and "The Waste Land," Yeats's "The Second
Coming" done as a magazine spread,
Heart of Darkness, stories from Kafka,
The Voyage Out by Virginia Woolf, James Joyce's masterpiece,
Ulysses, and his short story "Araby" from
Dubliners,
rare early work from Faulkner and Hemingway (by artists who have drawn
for Marvel), and poems by Gertrude Stein and Edna St. Vincent Millay.
You'll also find original comic versions of short stories by W.
Somerset Maugham, Flannery O'Connor, and Saki (manga style), plus
adaptations of
Lolita (and everyone said it couldn't be done!),
The Age of Innocence,
Siddhartha and
Steppenwolf by Hermann Hesse, "The Negro Speaks of Rivers" by Langston Hughes,
One Flew Over the Cuckoo's Nest,
Last Exit to Brooklyn, J.G. Ballard's
Crash, and photo-dioramas for
Animal Farm and
The Wonderful Wizard of Oz. Feast your eyes on new full-page illustrations for
1984,
Brave New World,
Waiting for Godot,
One Hundred Years of Solitude,The Bell Jar,
On the Road,
Lord of the Flies,
The Wind-Up Bird Chronicle, and three Borges stories.
Robert Crumb's rarely seen adaptation of
Nausea captures Sartre's existential dread. Dame Darcy illustrates Cormac McCarthy's masterpiece,
Blood Meridian,
universally considered one of the most brutal novels ever written and
long regarded as unfilmable by Hollywood. Tara Seibel, the only female
artist involved with the Harvey Pekar Project, turns in an exquisite
series of illustrations for
The Great Gatsby. And then there's the moment we've been waiting for: the first graphic adaptation from Kurt Vonnegut's masterwork,
Slaughterhouse-Five. Among many other gems.