EncounterA brilliant new contribution to Kundera's ongoing reflections on art and artists, written with unparalleled insight, authority, and range of reference and allusion
Milan Kundera's new collection of essays is a passionate defense of art in an era that, he argues, no longer values art or beauty. With the same dazzling mix of emotion and idea that characterizes his novels, Kundera revisits the artists who remain important to him and whose works help us better understand the world we live in and what it means to be human. An astute reader of fiction, Kundera brings his extraordinary critical gifts to bear on the paintings of Francis Bacon, the music of Leos Janacek, and the films of Federico Fellini, as well as the novels of Philip Roth, Fyodor Dostoyevsky, and Gabriel GarcÍa MÁrquez, among others. He also takes up the challenge of restoring to its rightful place the work of Anatole France and Curzio Malaparte, major writers who have fallen into obscurity.
Milan Kundera's signature themes of memory and forgetting, the experience of exile, and the championing of modernist art are here, along with more personal reflections and stories. Encounter is a work of great humanism. Art is what we possess in the face of evil and the darker side of human nature. Elegant, startlingly original, and provocative, Encounter follows in the footsteps of Kundera's earlier essay collections, The Art of the Novel, Testaments Betrayed, and The Curtain.
Stephen O’Connor is one of today's most gifted and original writers. In Here Comes Another Lesson, O’Connor, whose stories have appeared in The New Yorker, Conjunctions, and many other places, fearlessly depicts a world that no longer quite makes sense. Ranging from the wildly inventive to the vividly realistic, these brilliant stories offer tender portraits of idealists who cannot live according to their own ideals and of lovers baffled by the realities of love.
The story lines are unforgettable: A son is followed home from work by his dead father. God instructs a professor of atheism to disseminate updated Commandments. The Minotaur is awakened to his own humanity by the computer-game-playing "new girl" who has been brought to him for supper. A recently returned veteran longs for the utterly ordinary life he led as a husband and father before being sent to Iraq. An ornithologist, forewarned by a cormorant of the exact minute of his death, struggles to remain alert to beauty and joy.
As playful as it is lyrical, Here Comes Another Lesson celebrates human hopefulness and laments a sane and gentle world that cannot exist.
Before You Suffocate Your Own Fool SelfIntroducing a new star of her generation, an electric debut story collection about young African-American and mixed-race teens, women, and men struggling to find a place in their families and communities.
When Danielle Evans's short story "Virgins" was published in The Paris Review in late 2007, it announced the arrival of a bold new voice. Written when she was only twenty-three, Evans's story of two black, blue-collar fifteen-year-old girls' flirtation with adulthood for one night was startling in its pitch-perfect examination of race, class, and the shifting terrain of adolescence.
Now this debut collection delivers on the promise of that early story. In "Harvest," a college student's unplanned pregnancy forces her to confront her own feelings of inadequacy in comparison to her white classmates. In "Jellyfish," a father's misguided attempt to rescue a gift for his grown daughter from an apartment collapse magnifies all he doesn't know about her. And in "Snakes," the mixed-race daughter of intellectuals recounts the disastrous summer she spent with her white grandmother and cousin, a summer that has unforeseen repercussions in the present.
Striking in their emotional immediacy, the stories in Before You Suffocate Your Own Fool Self are based in a world where inequality is reality but where the insecurities of adolescence and young adulthood, and the tensions within family and the community, are sometimes the biggest complicating forces in one's sense of identity and the choices one makes.
An anthology of the winning entries for the Jane Austen Short Story Award
Two hundred years ago, Jane Austen— traumatized by her parents’ decision to give up the rectory in Hampshire where she grew up, and unable to write for a decade—accepted her brother Edward’s offer of a permanent home in his Chawton House estate. It was there that she picked up her pen once again . . . and gave the world some of the most beloved and enduring novels ever written.
The Jane Austen Short Story Competition celebrates the immortal author and her works, and the blessed home that afforded her the peace and security to create them. Judged and chosen by Sarah Waters, bestselling author of Tipping the Velvet and Fingersmith, Dancing with Mr. Darcy includes the winning selection and nineteen runners-up, as well as introductions from Waters and Rebecca Smith, the great-great-great-great-great niece of Jane Austen.
The "Hot Kid" of the U.S. Marshals Service, Carl Webster maintains the law with a cool, showdown attitude. He's one of the richest creations in Elmore Leonard's half century of delivering the goods. From his appearances in the critically acclaimed novels The Hot Kid and Up in Honey's Room, Carl returns to lay down the law in a novella that originally appeared as a serial in the New York Times Sunday Magazine.
The title novella—plus two Carl Webster short stories—traces Carl's career from his run-in with 1930's gangsters to his investigation of a murder at a German POW camp in Oklahoma. This time it's Carl against war-seasoned Afrika Korps Nazis. With its pitch-perfect dialogue, compelling characters, and classic charm, Comfort to the Enemy is vintage Leonard.
Dracula's GuestBefore Twilight and True Blood, even before Buffy and Anne Rice and Bela Lugosi, vampires haunted the nineteenth century, when brilliant writers everywhere indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula.
Michael Sims brings together the very best vampire stories of the Victorian era—from England, America, France, Germany, Transylvania, and even Japan—into a unique collection that highlights their cultural variety. Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Edgar Allan Poe's "The Oval Portrait" and Sheridan Le Fanu's "Carmilla" to Guy de Maupassant's "The Horla" and Mary Elizabeth Braddon's "Good Lady Ducayne." Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and rounds out the collection with Stoker's own "Dracula's Guest"—a chapter omitted from his landmark novel.
Vampires captivated the Victorians, as Sims reveals in his insightful introduction: In 1867, Karl Marx described capitalism as "dead labor, which, vampire-like, lives only by sucking living labor"; while in 1888 a London newspaper invoked vampires in trying to explain Jack the Ripper's predations. At a time when vampires have been re-created in a modern context, Dracula's Guest will remind readers young, old, and in between of why the undead won't let go of our imagination.
No comments:
Post a Comment