Heidi Durrow is the co-founder and co-producer of the Mixed Roots Film & Literary Festival, an annual free public event.
An occasional essay contributor to National Public Radio, she received Barbara Kingsolver's 2008 Bellwether Prize for Literature of Social Change for The Girl Who Fell From the Sky (Algonquin Books), her first novel, which has been hailed as one of the Best Novels of 2010 by the Washington Post, a Top 10 Buzz Book of 2010 by the Boston Herald and named a Top 10 Debut of 2010 by Booklist. Ebony magazine recently named Heidi one of its Power 100 Leaders of 2010 along with writers Edwidge Danticat, Malcolm Gladwell and Ntozake Shange.She is also one of the panelists this year for our Author's Respond To Readers event.
Her favorite books this year were:
The Crying Tree
Irene and Nate Stanley are living a quiet and contented life with their two children, Bliss and Shep, on their family farm in southern Illinois when Nate suddenly announces he’s been offered a job as a deputy sheriff in Oregon. Irene fights her husband. She does not want to uproot her family and has deep misgivings about the move. Nevertheless, the family leaves, and they are just settling into their life in Oregon’s high desert when the unthinkable happens. Fifteen-year-old Shep is shot and killed during an apparent robbery in their home. The murderer, a young mechanic with a history of assault, robbery, and drug-related offenses, is caught and sentenced to death.
Shep’s murder sends the Stanley family into a tailspin, with each member attempting to cope with the tragedy in his or her own way. Irene’s approach is to live, week after week, waiting for Daniel Robbin’s execution and the justice she feels she and her family deserve. Those weeks turn into months and then years. Ultimately, faced with a growing sense that Robbin’s death will not stop her pain, Irene takes the extraordinary and clandestine step of reaching out to her son’s killer. The two forge an unlikely connection that remains a secret from her family and friends.
Years later, Irene receives the notice that she had craved for so long—Daniel Robbin has stopped his appeals and will be executed within a month. This announcement shakes the very core of the Stanley family. Irene, it turns out, isn’t the only one with a shocking secret to hide. As the execution date nears, the Stanleys must face difficult truths and find a way to come to terms with the past.
In her midforties and settled into the responsibilities and routines of adulthood, Dani Shapiro found herself with more questions than answers. Was this all life was—a hodgepodge of errands, dinner dates, e-mails, meetings, to-do lists? What did it all mean?
Having grown up in a deeply religious and traditional family, Shapiro had no personal sense of faith, despite repeated attempts to create a connection to something greater. Feeling as if she was plunging headlong into what Carl Jung termed "the afternoon of life," she wrestled with self-doubt and a searing disquietude that would awaken her in the middle of the night. Set adrift by loss—her father's early death; the life-threatening illness of her infant son; her troubled relationship with her mother—she had become edgy and uncertain. At the heart of this anxiety, she realized, was a challenge: What did she believe? Spurred on by the big questions her young son began to raise, Shapiro embarked upon a surprisingly joyful quest to find meaning in a constantly changing world. The result is Devotion: a literary excavation to the core of a life.
In this spiritual detective story, Shapiro explores the varieties of experience she has pursued—from the rituals of her black hat Orthodox Jewish relatives to yoga shalas and meditation retreats. A reckoning of the choices she has made and the knowledge she has gained, Devotion is the story of a woman whose search for meaning ultimately leads her home. Her journey is at once poignant and funny, intensely personal—and completely universal.
Joseph Skibell's magical tale about the Holocaust-a fable inspired by fact-received unanimous nationwide acclaim when first published in 1997.
Take One Candle Light a Room
Fantine Antoine is a travel writer, a profession that keeps her happily away from her Southern California home. When she returns to mark the fifth anniversary of the murder of her closest childhood friend, Glorette, she finds herself pulled into the tumultuous life of Glorette’s twenty-two-year-old son—and Fantine’s godson—Victor. After getting involved in a shooting, Victor has fled to New Orleans. Together with her father, Fantine follows Victor, determined to help him avoid the criminal future that he suddenly seems destined for.
Fantine’s own fate will be altered on this journey as well: her father will reveal the wrenching secrets of his past, and she will be compelled to question the most essential choices she’s made in her life. As they cross from California to the heart of Louisiana, all three characters will come face-to-face with the issues of race that beset them: Fantine, whose light skin has allowed her a kind of invisibility; her father, who grew up in the Jim Crow South and has tried to guard his family against that world; and Victor, whose fall into violence mirrors the path of so many other young black men. For Fantine, finding Victor could offer them both a way to face the past and decide between different futures.
Powerful and moving, Take One Candle Light a Room illuminates the intricacies of human connection and the ways in which we find a place for ourselves within our families and the world.
Picking Bones From Ash
My mother always told me that there is only one way a woman can be truly safe in this world. And that is to be fiercely, inarguably and masterfully talented.
No one knows who fathered eleven-year-old Satomi, and the women of her 1950s Japanese mountain town find her mother’s restless sensuality a threat. Satomi’s success in piano competitions has always won respect, saving her and her mother from complete ostracism. But when her mother’s growing ambition tests this delicate social balance, Satomi’s gift is not enough to protect them. Eventually, Satomi is pushed to make a drastic decision in order to begin her life anew. Years later, Satomi’s choices echo in the life of her American daughter, Rumi, a gifted authenticator of Asian antiques. Rumi has always believed her mother to be dead, but when Rumi begins to see a ghost, she wonders: Is this the spirit of her mother? If so, what happened to Satomi?
Zora Anderson is a 30-year-old African American middle class, college educated woman, trained as a chef, looking for a job. As fate would have it, Kate and Craig, a married couple, aspiring professionals with a young child are looking for a nanny.
Zora seems perfect. She’s an enthusiastic caretaker, a competent house keeper, a great cook. And she wants the job, despite the fact that she won’t let her African American parents and brother know anything about this new career move. They expect much more from her than to use all that good education to do what so many Blacks have dreamed of not doing: working for White folks. Working as an au pair in Paris, France no less, was one thing, they could accept that. Being a servant to a couple not much older nor more educated, is yet another. Every adult character involved in this tangled web is hiding something: the husband is hiding his desire to turn a passion for comic books into a business from his wife, the wife is hiding her professional ambitions from her husband, the nanny is hiding her job from her family and maybe her motivations for staying on her job from herself.
When we asked Heidi what was next for her, she answered:
"I’m working on a new novel that is set in the late 1800s mostly in Paris and London. The story is inspired by a real woman who was a mulatta strongwoman and circus performer. She was so famous in her time that Degas did a portrait of her. It’s been fun to research (of course, I had to visit Paris—and I’m working on getting to London ;)) –and it’s a lot fun to write."
"And I will confess that I am taking notes on writing a kind of sequel to The Girl Who Fell From the Sky though I had never considered that when I was writing it. But there have been so many readers who have asked and more importantly given me great ideas with their questions about the characters that there’s a story developing in my mind!"
1 comment:
What a lovely piece! I plan to get the books I haven't read yet, and I cannot wait for Heidi's new novel.
Caroline Leavitt
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