Q & A with Rick Yancey

Learn more about the new book and the upcoming movie HERE.

A Wildly Funny and Shockingly True Compendium of the Bad Boys (and Girls) of Western Literature

Andrew Shaffer's Literary Rogues is an unflinching look at the bad behavior of some of our most beloved authors, from Oscar Wilde and Edgar Allan Poe, to Ernest Hemingway and F. Scott Fitzgerald, to Hunter S. Thompson and Bret Easton Ellis.
 
Literary Rogues is a wildly funny and illuminating history and analysis of the bad boys and girls of lit, from the author of Great Philosophers Who Failed at Love.  Part nostalgia, part serious history of Western literary movements this book is a raucous celebration of oft-vilified writers and their work, brimming with interviews, research, and personality.

Rock stars, rappers, and actors haven't always had a monopoly on misbehaving. There was a time when authors fought with both words and fists, a time when poets were the ones living fast and dying young. This witty, insightful, and wildly entertaining narrative profiles the literary greats who wrote generation-defining classics such as The Great Gatsby and On the Road while living and loving like hedonistic rock icons, who were as likely to go on epic benders as they were to hit the bestseller lists. Literary Rogues turns back the clock to consider these historical (and, in some cases, living) legends, including Edgar Allan Poe, Oscar Wilde, Zelda and F. Scott Fitzgerald, Ernest Hemingway, Dorothy Parker, Hunter S. Thompson, and Bret Easton Ellis.

Take a look at the photo based Huffington Post piece, "How To Be A Literary Rogue" HERE.

Create Dangerously

"Create dangerously, for people who read dangerously. This is what I've always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them."--Create Dangerously

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus' lecture, "Create Dangerously," and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them. Danticat eulogizes an aunt who guarded her family's homestead in the Haitian countryside, a cousin who died of AIDS while living in Miami as an undocumented alien, and a renowned Haitian radio journalist whose political assassination shocked the world. Danticat writes about the Haitian novelists she first read as a girl at the Brooklyn Public Library, a woman mutilated in a machete attack who became a public witness against torture, and the work of Jean-Michel Basquiat and other artists of Haitian descent. Danticat also suggests that the aftermaths of natural disasters in Haiti and the United States reveal that the countries are not as different as many Americans might like to believe.

Create Dangerously is an eloquent and moving expression of Danticat's belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.

Check out NPR's recent coverage of the book, and read an excerpt.