In 70 C.E., nine hundred Jews held out for months against armies of Romans on Masada, a mountain in the Judean desert. According to the ancient historian Josephus, two women and five children survived. Based on this tragic and iconic event, Hoffman’s novel is a spellbinding tale of four extraordinarily bold, resourceful, and sensuous women, each of whom has come to Masada by a different path. Yael’s mother died in childbirth, and her father, an expert assassin, never forgave her for that death. Revka, a village baker’s wife, watched the horrifically brutal murder of her daughter by Roman soldiers; she brings to Masada her young grandsons, rendered mute by what they have witnessed. Aziza is a warrior’s daughter, raised as a boy, a fearless rider and an expert marksman who finds passion with a fellow soldier. Shirah, born in Alexandria, is wise in the ways of ancient magic and medicine, a woman with uncanny insight and power.
The lives of these four complex and fiercely independent women intersect in the desperate days of the siege. All are dovekeepers, and all are also keeping secrets—about who they are, where they come from, who fathered them, and whom they love.
The Time In Between
At age twelve, Sira Quiroga sweeps the atelier floors where her single mother works as a seamstress. At fourteen, she quietly begins her own apprenticeship. By her early twenties she has learned the ropes of the business and is engaged to a modest government clerk. But everything changes when two charismatic men burst unexpectedly into her neatly mapped-out life: an attractive salesman and the father she never knew.
Between War and Peace . . .
With the Spanish Civil War brewing in Madrid, Sira leaves her mother and her fiancé, impetuously following her handsome lover to Morocco. However, she soon finds herself abandoned, penniless, and heartbroken in an exotic land. Among the odd collection of European expatriates trapped there by the worsening political situation back on the Continent, Sira reinvents herself by turning to the one skill that can save her: her gift for creating beautiful clothes.
Between Love and Duty . . .
As England, Germany, and the other great powers launch into the dire conflict of World War II, Sira is persuaded to return to Madrid, where she takes on a new identity to embark upon the most dangerous undertaking of her career. As the preeminent couturier for an eager clientele of Nazi officers’ wives, Sira becomes embroiled in the half-lit world of espionage and political conspiracy rife with love, intrigue, and betrayal.
The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it’s been more useful in communicating grief, mistrust, and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings.
Now eighteen and emancipated from the system, Victoria has nowhere to go and sleeps in a public park, where she plants a small garden of her own. Soon a local florist discovers her talents, and Victoria realizes she has a gift for helping others through the flowers she chooses for them. But a mysterious vendor at the flower market has her questioning what’s been missing in her life, and when she’s forced to confront a painful secret from her past, she must decide whether it’s worth risking everything for a second chance at happiness.
At Westish College, a small school on the shore of Lake Michigan, baseball star Henry Skrimshander seems destined for big league stardom. But when a routine throw goes disastrously off course, the fates of five people are upended.
Henry's fight against self-doubt threatens to ruin his future. College president Guert Affenlight, a longtime bachelor, has fallen unexpectedly and helplessly in love. Owen Dunne, Henry's gay roommate and teammate, becomes caught up in a dangerous affair. Mike Schwartz, the Harpooners' team captain and Henry's best friend, realizes he has guided Henry's career at the expense of his own. And Pella Affenlight, Guert's daughter, returns to Westish after escaping an ill-fated marriage, determined to start a new life.
As the season counts down to its climactic final game, these five are forced to confront their deepest hopes, anxieties, and secrets. In the process they forge new bonds, and help one another find their true paths.
Sarah McClure arrived at Elm Creek Manor as a newlywed, never suspecting that her quilting lessons with master quilter Sylvia Bergstrom Compson would inspire the successful and enduring business Elm Creek Quilts, whose members have nurtured a circle of friendship spanning generations.
The Wedding Quilt opens as the wedding day of Sarah's daughter Caroline approaches. As Sarah has learned, a union celebrates not only the betrothed couple's passage into wedlock, but also the contributions of those who have made the bride and groom the unique people they are. Thus Sarah's thoughts are filled with brides of Elm Creek Manor past and present-the traditions they honored, the legacies they bequeathed, and the wedding quilts that contain their stories in every stitch.
A wedding quilt is a powerful metaphor: of sisterhood, of community, of hope for the future. The blocks in Caroline's wedding quilt will display the signatures of beloved guests. As the Elm Creek Quilters circulate amid the festive preparations with pens and fabric in hand, memories of the Manor-and of the women who have lived there, in happiness and in sorrow-spill forth, rendering a vivid pastiche of family, friendship, and love in all its varieties.
For the Elm Creek Quilters, the day after Thanksgiving marks the start of the quilting season, a time to gather at Elm Creek Manor and spend the day stitching holiday gifts for loved ones. This year, in keeping with the season’s spirit of gratitude, Master Quilter Sylvia Bergstrom Compson Cooper is eager to revive a cherished family tradition. A recent remodeling of the manor’s kitchen unearthed a cornucopia that once served as the centerpiece of the Bergstrom family’s holiday table. Into it, each Bergstrom would place an object that symbolized something he or she was especially thankful for that year. On this quilter’s holiday, Sylvia has invited her friends to continue the tradition by sewing quilt blocks that represent their thankfulness and gratitude.
As each quilter explains the significance of her carefully chosen block, stories of love and longing for family and friends emerge—feelings that are also expressed in the gifts they work on throughout the day. An early winter storm blankets Elm Creek Manor in heavy snow as the quilters find new meanings in their best-loved traditions and new reasons to be thankful.
