The definitive biography of Sally Ride, America's first woman in space, with exclusive insights from Ride's family and partner, by the ABC reporter who covered NASA during its transformation from a test-pilot boys' club to a more inclusive elite.
Sally Ride made history as the first American woman in space. A member of the first astronaut class to include women, she broke through a quarter-century of white male fighter jocks when NASA chose her for the seventh shuttle mission, cracking the celestial ceiling and inspiring several generations of women.
After a second flight, Ride served on the panels investigating the "Challenger "explosion and the "Columbia" disintegration that killed all aboard. In both instances she faulted NASA's rush to meet mission deadlines and its organizational failures. She co-founded a company promoting science and education for children, especially girls. Sherr also writes about Ride's scrupulously guarded personal life--she kept her sexual orientation private--with exclusive access to Ride's partner, her former husband, her family, and countless friends and colleagues. Sherr draws from Ride's diaries, files, and letters.
This is a rich biography of a fascinating woman whose life intersected with revolutionary social and scientific changes in America. Sherr's revealing portrait is warm and admiring but unsparing. It makes this extraordinarily talented and bold woman, an inspiration to millions, come alive.
A dark, poignant, and emotionally brave coming-of-age memoir: the story of a young man who, by handling the dead, makes peace with the living.
"For almost twenty years I mistook my father's downfall as my own. But it wasn't. It was not my sister's either, nor my mother's."
A literature professor at La Salle University, Andrew Meredith's father was fired after unspecified allegations of sexual misconduct. It's a transgression Andrew cannot forgive, for it brought about long-lasting familial despair. In the wake of the scandal, Andrew's parents limp along, trapped in an unhappy marriage. Meanwhile, Andrew treads water, stuck in a kind of suspended adolescence--falling in and out of school, moving blindly from one half-hearted relationship to the next, slowly killing the nights drinking beer and listening to music with his childhood friends.
Broke, Andrew moves back home to his childhood neighborhood in Northeast Philadelphia and takes a job alongside his father as a "remover," the name for those unseen, unsung workers who take away the bodies of those who die at home. He describes, as only a professional can do, the intimate, horrific, poignant, and occasionally morbidly comedic aspects of handling the dead. Just how do you carry a 500-pound corpse down winding stairs? What actually happens to pacemakers, tooth fillings, surgical screws, artificial hips, and anything else that the deceased has within his or her body? Andrew begins to see his father not through the lens of a wronged and resentful child, but as a sympathetic, imperfect man who loves his family despite his flaws. Eventually the chip on his shoulder starts to lose its weight.
Poetic without being florid, and with the literary ability to transform the naturally grotesque into the exquisite, The Removers is a searing story of a young man who finds in death a redemptive path toward the forgiveness of the living, including himself.
Spellbinding and intricate, The Painted Bridge is a tale of secrets, lost lives, and a woman seizing her own destiny: "A chilling page-turner about the muddy line between sanity and madness" (Caroline Leavitt, author of "Pictures of You").
Outside London behind a stone wall stands Lake House, a private asylum for genteel women of a delicate nature. In the winter of 1859, recently married Anna Palmer becomes its newest arrival, tricked by her husband into leaving home, incarcerated against her will, and declared hysterical and unhinged. With no doubts as to her sanity, Anna is convinced that she will be released as soon as she can tell her story. But Anna learns that liberty will not come easily. The longer she remains at Lake House, the more she realizes that--like the ethereal bridge over the asylum's lake--nothing is as it appears. She begins to experience strange visions and memories that may lead her to the truth about her past, herself, and to freedom...or lead her so far into the recesses of her mind that she may never escape.
Set in Victorian England, as superstitions collide with a new psychological understanding, novelist Wendy Wallace "masterfully creates an atmosphere of utter claustrophobia and dread, intermingled with the ever-present horror of the reality of women's minimal rights in the nineteenth century" (Publishers Weekly). The Painted Bridge is a tale of self-discovery, secrets, and a search for the truth in a world where the line between madness and sanity seems perilously thin.
Sally Ride made history as the first American woman in space. A member of the first astronaut class to include women, she broke through a quarter-century of white male fighter jocks when NASA chose her for the seventh shuttle mission, cracking the celestial ceiling and inspiring several generations of women.
After a second flight, Ride served on the panels investigating the "Challenger "explosion and the "Columbia" disintegration that killed all aboard. In both instances she faulted NASA's rush to meet mission deadlines and its organizational failures. She co-founded a company promoting science and education for children, especially girls. Sherr also writes about Ride's scrupulously guarded personal life--she kept her sexual orientation private--with exclusive access to Ride's partner, her former husband, her family, and countless friends and colleagues. Sherr draws from Ride's diaries, files, and letters.
This is a rich biography of a fascinating woman whose life intersected with revolutionary social and scientific changes in America. Sherr's revealing portrait is warm and admiring but unsparing. It makes this extraordinarily talented and bold woman, an inspiration to millions, come alive.
A dark, poignant, and emotionally brave coming-of-age memoir: the story of a young man who, by handling the dead, makes peace with the living.
"For almost twenty years I mistook my father's downfall as my own. But it wasn't. It was not my sister's either, nor my mother's."
A literature professor at La Salle University, Andrew Meredith's father was fired after unspecified allegations of sexual misconduct. It's a transgression Andrew cannot forgive, for it brought about long-lasting familial despair. In the wake of the scandal, Andrew's parents limp along, trapped in an unhappy marriage. Meanwhile, Andrew treads water, stuck in a kind of suspended adolescence--falling in and out of school, moving blindly from one half-hearted relationship to the next, slowly killing the nights drinking beer and listening to music with his childhood friends.
Broke, Andrew moves back home to his childhood neighborhood in Northeast Philadelphia and takes a job alongside his father as a "remover," the name for those unseen, unsung workers who take away the bodies of those who die at home. He describes, as only a professional can do, the intimate, horrific, poignant, and occasionally morbidly comedic aspects of handling the dead. Just how do you carry a 500-pound corpse down winding stairs? What actually happens to pacemakers, tooth fillings, surgical screws, artificial hips, and anything else that the deceased has within his or her body? Andrew begins to see his father not through the lens of a wronged and resentful child, but as a sympathetic, imperfect man who loves his family despite his flaws. Eventually the chip on his shoulder starts to lose its weight.
Poetic without being florid, and with the literary ability to transform the naturally grotesque into the exquisite, The Removers is a searing story of a young man who finds in death a redemptive path toward the forgiveness of the living, including himself.
Spellbinding and intricate, The Painted Bridge is a tale of secrets, lost lives, and a woman seizing her own destiny: "A chilling page-turner about the muddy line between sanity and madness" (Caroline Leavitt, author of "Pictures of You").
Outside London behind a stone wall stands Lake House, a private asylum for genteel women of a delicate nature. In the winter of 1859, recently married Anna Palmer becomes its newest arrival, tricked by her husband into leaving home, incarcerated against her will, and declared hysterical and unhinged. With no doubts as to her sanity, Anna is convinced that she will be released as soon as she can tell her story. But Anna learns that liberty will not come easily. The longer she remains at Lake House, the more she realizes that--like the ethereal bridge over the asylum's lake--nothing is as it appears. She begins to experience strange visions and memories that may lead her to the truth about her past, herself, and to freedom...or lead her so far into the recesses of her mind that she may never escape.
Set in Victorian England, as superstitions collide with a new psychological understanding, novelist Wendy Wallace "masterfully creates an atmosphere of utter claustrophobia and dread, intermingled with the ever-present horror of the reality of women's minimal rights in the nineteenth century" (Publishers Weekly). The Painted Bridge is a tale of self-discovery, secrets, and a search for the truth in a world where the line between madness and sanity seems perilously thin.
"That skinny Indian teenager has that mysterious something that comes along once a generation. He is one of those rare chefs who is simply born. He is an artist."
And so begins the rise of Hassan Haji, the unlikely gourmand who recounts his life’s journey in Richard Morais’s charming novel, The Hundred-Foot Journey. Lively and brimming with the colors, flavors, and scents of the kitchen, The Hundred-Foot Journey is a succulent treat about family, nationality, and the mysteries of good taste.
Born above his grandfather’s modest restaurant in Mumbai, Hassan first experienced life through intoxicating whiffs of spicy fish curry, trips to the local markets, and gourmet outings with his mother. But when tragedy pushes the family out of India, they console themselves by eating their way around the world, eventually settling in Lumière, a small village in the French Alps.
The boisterous Haji family takes Lumière by storm. They open an inexpensive Indian restaurant opposite an esteemed French relais—that of the famous chef Madame Mallory—and infuse the sleepy town with the spices of India, transforming the lives of its eccentric villagers and infuriating their celebrated neighbor. Only after Madame Mallory wages culinary war with the immigrant family, does she finally agree to mentor young Hassan, leading him to Paris, the launch of his own restaurant, and a slew of new adventures.
And so begins the rise of Hassan Haji, the unlikely gourmand who recounts his life’s journey in Richard Morais’s charming novel, The Hundred-Foot Journey. Lively and brimming with the colors, flavors, and scents of the kitchen, The Hundred-Foot Journey is a succulent treat about family, nationality, and the mysteries of good taste.
Born above his grandfather’s modest restaurant in Mumbai, Hassan first experienced life through intoxicating whiffs of spicy fish curry, trips to the local markets, and gourmet outings with his mother. But when tragedy pushes the family out of India, they console themselves by eating their way around the world, eventually settling in Lumière, a small village in the French Alps.
The boisterous Haji family takes Lumière by storm. They open an inexpensive Indian restaurant opposite an esteemed French relais—that of the famous chef Madame Mallory—and infuse the sleepy town with the spices of India, transforming the lives of its eccentric villagers and infuriating their celebrated neighbor. Only after Madame Mallory wages culinary war with the immigrant family, does she finally agree to mentor young Hassan, leading him to Paris, the launch of his own restaurant, and a slew of new adventures.
The Hundred-Foot Journey is about how the hundred-foot distance between a new Indian kitchen and a traditional French one can represent the gulf between different cultures and desires. A testament to the inevitability of destiny, this is a fable for the ages—charming, endearing, and compulsively readable.
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