Molly Ringwald mines the complexities of modern relationships in this gripping and nuanced collection of interlinked stories. Writing with a deep compassion for human imperfection, Ringwald follows a Los Angeles family and their friends and neighbors while they negotiate the hazardous terrain of everyday life—revealing the deceptions, heartbreak, and vulnerability familiar to us all.
In "The Harvest Moon," a stay-at-home mom grapples with age, infertility, and an increasingly distant husband. In "Ursa Minor," a former children's television star tries to rebuild his life after being hospitalized for "exhaustion." An elderly woman mourns the loss of her husband and her estranged relationship with her daughter in "The Little One." In "My Olivia," a single mother finds untapped reserves of strength to protect her flamboyant six-year-old son who wishes only to wear dresses and be addressed as Olivia. And in the devastating title story, a betrayed wife chronicles her pain and alienation, leading to an eviscerating denouement.
As the lives of these characters converge and diverge in unexpected ways, Ringwald reveals a startling eye for the universality of loss, love, and the search for connection. An unflinching yet poignant examination of the intricacies of the human heart, When It Happens to You is an auspicious literary debut.
Renowned for his magisterial verse, Robert Hass is also a brilliant essayist. the "New York Times" hailed him as a writer who "is so intelligent that to read his poetry or prose, or to hear him speak, gives one an almost visceral pleasure." Now, with What Light Can Do, Hass's first collection of essays in more than twenty-five years, the lauded author returns to and enlarges the territory of his critically acclaimed and much-loved collection Twentieth Century Pleasures, recipient of the National Book Critics Circle Award.
These acute and deeply engaging essays are as much a portrait of the elegant thought processes of an unconventional and virtuoso mind as they are inquiries into their subjects, which range from meditations on how we see and treat the earth to the relationship between literature and religion, from explorations of the works of writers as diverse as Korean poet Ko Un, Wallace Stevens, Cormac McCarthy, and Anton Chekhov to the ways in which photography--much like an essay--embodies a sustained act of attention.
A perceptive and evocative mixture of memory, philosophical interrogation, and criticism, the essays in What Light Can Do, finely attuned to the pleasures and pains of being human, are always grounded in the beauty of the material world and its details, and in the larger political and social realities we inhabit.
When Hector Lewis told his daughter that she had a nothing face, it was just another bit of tossed-off cruelty from a man who specialized in harsh words and harsher deeds. But twenty years later, Heloise considers it a blessing to be a person who knows how to avoid attention. In the comfortable suburb where she lives, she's just a mom, the youngish widow with a forgettable job who somehow never misses a soccer game or a school play. In the state capitol, she's the redheaded lobbyist with a good cause and a mediocre track record.
But in discreet hotel rooms throughout the area, she's the woman of your dreams—if you can afford her hourly fee.
For more than a decade, Heloise has believed she is safe. She has created a rigidly compartmentalized life, maintaining no real friendships, trusting few confidantes. Only now her secret life, a life she was forced to build after the legitimate world turned its back on her, is under siege. Her once oblivious accountant is asking loaded questions. Her longtime protector is hinting at new, mysterious dangers. Her employees can't be trusted. One county over, another so-called suburban madam has been found dead in her car, a suicide. Or is it?
Nothing is as it seems as Heloise faces a midlife crisis with much higher stakes than most will ever know.
And then she learns that her son's father might be released from prison, which is problematic because he doesn't know he has a son. The killer and former pimp also doesn't realize that he's serving a life sentence because Heloise betrayed him. But he's clearly beginning to suspect that Heloise has been holding something back all these years.
With no formal education, no real family, and no friends, Heloise has to remake her life—again. Disappearing will be the easy part. She's done it before and she can do it again. A new name and a new place aren't hard to come by if you know the right people. The trick will be living long enough to start a new life.
In July 1840, the young Queen Victoria has just entered her third year on the throne when a major economic downturn fills the city with tension and torment. During a scorching London heat wave, orphaned, nineteen-year-old Catherine Sorgeiul stays locked away in her uncle's home, a peculiar place where death masks adorn the walls and certain rooms are strictly forbidden. During this time, a serial killer strikes-preying on young, vulnerable girls. His murder style is especially gruesome-his victims' hair is braided and then thrust into their mouths, and their limbs are folded grotesquely behind them, like wounded birds. The murderer is nicknamed the Man of Crows.
Catherine, already carrying a freighted history of dark thoughts and peculiar dreams, believes if she can understand the Man of Crows, then she'll be able to uncover his identity. She begins writing stories about the victims-women on their own and vulnerable in the big city-and gradually the murderer's story as well. But she soon realizes that she has involved herself in a web of betrayal, deceit, and terror that threatens her and all those around her. Will Catherine find the man responsible for these deaths... or will he find her first?
In The Pleasures of Men, Williams succeeds in provoking chills as readers discover the secrets of Catherine's family and the Man of Crows.
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