Wednesday, November 12, 2014

Jeff C. Is Recommending:

http://bit.ly/1xlMAzd
Bobby Hale is a Union veteran several times over. After the war, he sets his sights on California, but only makes it to Montana. As he stumbles around the West, from the Wyoming Territory to the Black Hills of the Dakotas, he finds meaning in the people he meets-settlers and native people-and the violent history he both participates in and witnesses. Far as the Eye Can See is the story of life in a place where every minute is an engagement in a kind of war of survival, and how two people-a white man and a mixed-race woman-in the midst of such majesty and violence can manage to find a pathway to their own humanity.

Robert Bausch is the distinguished author of a body of work that is lively and varied, but linked by a thoughtfully complicated masculinity and an uncommon empathy. The unique voice of Bobby Hale manages to evoke both Cormac McCarthy and Mark Twain, guiding readers into Indian country and the Plains Wars in a manner both historically true and contemporarily relevant, as thoughts of race and war occupy the national psyche.
 
 
http://bit.ly/1ErqLAC
Robert Boswell’s first novel since Century’s Son showcases once again his “dazzling technical skill, intelligence and moral seriousness” (The New York Times Book Review
 
At age thirty-three, James Candler’s life seems to be well on the road to success. He’s in line for a big promotion at Onyx Springs, the treatment facility where he’s a therapist. He has a fiancĂ©e, a sizeable house, and a Porsche.
 
But . . . he’s falling in love with another woman, he’s underwater on his mortgage, and he’s put his hapless best friend in charge of his signature therapeutic program. Even the GPS on his car can’t seem to predict where he should turn next. And his clients are struggling in their own hilarious, heartbreaking ways to keep their lives on track. How can he help them if he can’t help himself?
 
In Tumbledown, Robert Boswell presents a large, unforgettable cast of characters who are all failing and succeeding in various degrees to make sense of our often-irrational world. In a moving narrative twist, he boldly reckons with the extent to which tragedy can be undone, the impossible accommodated. 
 
 
 
http://bit.ly/1xguBt0
The newest winner of the Tony Hillerman Prize, a debut mystery set in the Southwest starring a former rodeo cowboy turned private investigator, told in a transfixingly original style.

Rodeo Grace Garnet lives with his old dog in a remote corner of Arizona known to locals as El Hoyo. He doesn't get many visitors in The Hole, but a body found near his home has drawn police attention to his front door. The victim is not one of the many undocumented immigrants who risk their lives to cross the border in Rodeo's harsh and deadly "backyard," but a member of a major Southwestern Indian tribe, whose death is part of a mysterious rompecabeza—a classic crime puzzler—that includes multiple murders, cold-blooded betrayals, and low-down scheming, with Rodeo caught in the middle. Retired from the rodeo circuit and scraping by on piecework as a bounty hunter, warrant server, and divorce snoop, Rodeo doesn't have much choice but to say yes when offered an unusual case. An elderly Indian woman from his own Reservation has hired him to help discover who murdered her grandson, but she seems strangely uninterested in the results. Her attitude seems heartless, but as Rodeo pursues interrelated cases, he learns that the old woman's indifference is nothing compared to true hatred, and aligned against a variety of creative and cruel foes, the hard-pressed PI is about to discover just how far hate can go.

CB McKenzie's Bad Country is a noir novel that is as deep and twisty as a desert arroyo. With confident, accomplished prose, McKenzie captures the rough-and-tumble outer reaches of the Southwest in a transfixingly original style that transcends the traditional crime novel.
 
 
http://bit.ly/1xuLkYU
How To Be A Good Wife by Emma Chapman is a haunting liteary debut about a woman who begins having visons that make her question everything she knows.
 
Marta and Hector have been married for a long time. Through the good and bad; through raising a son and sending him off to life after college. So long, in fact, that Marta finds it difficult to remember her life before Hector. He has always taken care of her, and she has always done everything she can to be a good wife—as advised by a dog-eared manual given to her by Hector’s aloof mother on their wedding day.

But now, something is changing. Small things seem off. A flash of movement in the corner of her eye, elapsed moments that she can’t recall. Visions of a blonde girl in the darkness that only Marta can see. Perhaps she is starting to remember—or perhaps her mind is playing tricks on her. As Marta’s visions persist and her reality grows more disjointed, it’s unclear if the danger lies in the world around her, or in Marta herself. The girl is growing more real every day, and she wants something.
 
 
http://bit.ly/1zCXrr0
From the geometric patterns of Islamic art and design to the swirling floral motifs of Celtic art, Designa brings together six elegant and insightful short volumes from the Wooden Books series on art and design including Islamic Design, Celtic Pattern, Curves, The Golden Section, Symmetry, and Perspective. 
 
Lavishly illustrated with engravings, woodcuts, and original drawings and diagrams, Designa will inspire readers of all ages to take an interest in the interconnected knowledge of art and design from different cultures throughout the world.


http://bit.ly/1tN7gxD
While On Hallowed Ground chronicled the history of the cemetery, Section 60: Arlington National Cemetery is the powerful contemporary biography of a five-acre plot where many of those killed in Iraq and Afghanistan have been laid to rest alongside service members from earlier wars.

Gifted writer and reporter Robert Poole opens the story with preparations for Memorial Day, Arlington's biggest event, when thousands of families come to visit those buried in the 624-acre cemetery, legions of Rolling Thunder motorcyclists patrol the streets with fluttering POW flags, and service members place miniature flags before each of Arlington's graves. What emerges is a portrait of our national cemetery as a living, breathing community, and a narrative about how improvised explosive devices, suicide bombs, and enemies who blend in with local populations have changed the nature and aftermath of conflict. Several of the newest recruits for Section 60 have been brought there by suicide or post-traumatic stress disorder, a war injury newly described but dating to ancient times.

Using Section 60 as a window into the latest wars, Poole recounts stories of courage and sacrifice by fallen heroes, and explores the ways in which soldiers' comrades, friends, and families honor and remember those lost to war-carrying on with life in the aftermath of wartime tragedy. Section 60 is a moving tribute to those who have fought and died for our country, and to those who love them.

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